A Curse So Dark and Lonely by Brigid Kemmerer

A Curse So Dark and Lonely

I received a free e-ARC of A Curse So Dark and Lonely by Brigid Kemmerer from NetGalley in return for review consideration; receipt of a free copy has not affected my opinion or the contents of this review. A Curse So Dark and Lonely is a fantasy novel was was published by Bloomsbury in the UK on 29th January 2019.

Below is the Goodreads synopsis of the book:

It once seemed so easy to Prince Rhen, the heir to Emberfall. Cursed by a powerful enchantress to repeat the autumn of his eighteenth year over and over, he knew he could be saved if a girl fell for him. But that was before he learned that at the end of each autumn, he would turn into a vicious beast hell-bent on destruction. That was before he destroyed his castle, his family, and every last shred of hope.

Nothing has ever been easy for Harper Lacy. With her father long gone, her mother dying, and her brother barely holding their family together while constantly underestimating her because of her cerebral palsy, she learned to be tough enough to survive. But when she tries to save someone else on the streets of Washington, DC, she’s instead somehow sucked into Rhen’s cursed world.

Break the curse, save the kingdom.

A prince? A monster? A curse? Harper doesn’t know where she is or what to believe. But as she spends time with Rhen in this enchanted land, she begins to understand what’s at stake. And as Rhen realizes Harper is not just another girl to charm, his hope comes flooding back. But powerful forces are standing against Emberfall . . . and it will take more than a broken curse to save Harper, Rhen, and his people from utter ruin.

This is apparently the season for Beauty and the Beast retellings! In some ways, A Curse So Dark and Lonely is fairly true to the original, but Kemmerer definitely makes it her own, and puts a great, modern spin on everything.

One of the main different aspects of Curse is that Harper, the book’s Beauty, has cerebral palsy. It’s wonderful to have a main character with a disability, and one doesn’t feel like it’s just there for brownie points. Harper’s life has definitely been impacted by her disability, but it’s also given her a different perspective on the world, and I think that sets her character above a lot of the cookie cutter-type heroines in YA fiction. I think it’s also key that the role Harper’s playing is the Beauty. Her disability is visible, and is something which sometimes causes Harper frustration or sadness. But it doesn’t stop her from being Beauty. To me, this felt like an example of positive, realistic representation, and I would love to read more of this type of rep, particularly in action-heavy stories such as this.

I liked that Kemmerer doesn’t shy away from the true horror of the Prince’s curse and the dreadful things he’s done. It makes him feel truly monstrous, rather than a Disney type of beast, all growls and no trousers. I also liked, without giving away anything, one of the things we learn about the type of beast he becomes, as it certainly made it feel more realistic that he hadn’t been stopped yet.

I also enjoyed the castle as a metaphor for the Prince’s depression. It’s beautiful, filled with food and music, but it’s the same every day and he’s long since tired of it. And everywhere he turns, he’s reminded of the damage he’s wrought. So even as Harper is overwhelmed by the abundance it offers, Rhen has stopped seeing that as anything other than the curse.

There were two major aspects that limited my enjoyment of the book. The first was the way that Rhen’s beastly nature is hidden from Harper for much of the book, and when the truth does out, it’s a strangely subdued moment. I really struggle with stories where relationships are built on major lies, and it means I found it hard to really believe in the potential pairings within the book, as there was no truth to their foundation. Added to which is the fact that Harper was literally kidnapped and brought to their world, so there’s a huge power imbalance, and I just couldn’t support the romantic storylines at all.

The other aspect I struggled with was how ‘not like other girls’ Harper is. In terms of how she feels about herself in her life in DC, I can understand that. She has a disability and her family life is difficult and she feels apart from her peers. But when she arrives in Emberfall, Rhen and Gray are spouting the same things, only it’s because Harper’s so different to all the girls they kidnapped before. I found that really frustrating, and it colored how I felt about the romantic relationships that developed.

Overall, A Curse So Dark and Lonely didn’t really do it for me. I liked Harper and found her personal journey very satisfying, but I struggled with the ‘not like other girls’ aspect of the story. I also didn’t enjoy how the huge secret that Rhen and Gray were keeping from Harper was dealt with. However, I think it’s great to see a character with a visible disability at the centre of really action-filled story, and I liked the interplay between Emberfell and the modern world. I can understand why this book has been so popular, and I think it’s just a case of it not being the right book for me.

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The Mortal Word by Genevieve Cogman

The Mortal Word

I received a free copy of The Mortal Word by Genevieve Cogman from the publisher in return for review consideration; receipt of a free copy has not affected my opinion or the contents of this review. The Mortal Word is a fantasy novel which was published by Pan Macmillan in the UK in November 2018.

Below is the Goodreads synopsis of the book:

A corrupt countess
A spy in danger
And an assassin at large

The fifth title in Genevieve Cogman’s witty and wonderful Invisible Library series, The Mortal Word is a rollicking literary adventure.

Peace talks are always tricky, especially when a key diplomat gets stabbed. This rudely interrupts a top-secret summit between the warring dragons and Fae. As a neutral party, Librarian-spy Irene is summoned to investigate. She must head to a version of 1890s Paris, with her assistant Kai and her detective friend Vale, where these talks are fracturing. Here, she must get to the bottom of the attack – before either the peace negotiations or the city go up in flames.

Suspicions fly thick and fast and Irene soon finds herself in the seedy depths of the Parisian underworld. She’s on the trail of a notoriously warlike Fae, the Blood Countess. However, the evidence against the Countess is circumstantial. Could the killer be a member of the Library itself?

I’m a huge fan of the Invisible Library series, so I was delighted to have the opportunity to read and review the book. And I’ve got to say that this is one of my favourite instalments to date!

After the dramatic events of The Lost Plot, Irene’s in late 1800s Paris for Fae/dragon peace talks. As could probably have been expected, things don’t go to plan, and Irene finds herself responsible for trying to prevent the peace talks from completely falling apart. The story works really well as both an instalment in the overall series, and as a standalone work. The book’s plot is fast-paced, but there are still funny moments and tons of character development. Overall, it feels like a really well-rounded book.

I love Irene as a main character, and in The Mortal Word, she’s really coming into her own. She’s developed a reputation amongst major players across the worlds, but her position as a neutral party in these talks pushes her skills and knowledge to a whole new level. I really enjoyed watching her take on a new role in this story, and using everything she’s learnt in previous books to show why she’s got this reputation, and why people should stop underestimating her.

We also have the return of her wonderful sidekicks, Kai and Vale. One of the reasons I love this series so much is because of the relationships between these three characters. They may not always see eye to eye, they may not always do the right thing by each other, but you never doubt the depth of their love and affection for each other. I love too that they learn from one another, and are able to see how the others might react in a situation and use that to their advantage. Plus, the romantic link between Irene and Kai, which I have long held up as wonderful because they’re able to recognise that their feelings can’t always take precedence when they’re trying to save the world/a number of worlds/an interdimensional library, goes through some changes in this book, and I am so here for it.

One of the key elements of this series is the complex relationship between the dragons and the Fae. It takes centre stage here, but Cogman has done a great job of balancing backstory here with the plot of this instalment, so a new reader would definitely understand the links between the two parties, but followers of the series get to see their understanding deepen.

There are also some great villains in this book. I’m not going to say much more about them, because part of fun of the story is uncovering the different layers of treachery, running through the talks. For long-time readers, there’s also the continuing threads of Irene learning more about the Library and trying to understand her place and work out who she can and can’t trust.

I loved The Mortal Word, both as an individual story and as the latest instalment in one of my favourite series. I would highly recommend it to anyone who loves books, dragons, and high stakes adventure managed with a light touch.

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The Devouring Gray by Christine Lynn Herman

The Devouring Gray

I received a free copy of The Devouring Gray by Christine Lynn Herman from the publisher in return for review consideration; receipt of a free copy has not affected my opinion or the contents of this review. The Devouring Gray is a YA fantasy novel, due to be published by Titan Books in the UK on 16th April 2019.

Below is the Goodreads synopsis of the book:

Branches and stones, daggers and bones,
They locked the Beast away.

After the death of her sister, seventeen-year-old Violet Saunders finds herself dragged to Four Paths, New York. Violet may be a newcomer, but she soon learns her mother isn’t: They belong to one of the revered founding families of the town, where stone bells hang above every doorway and danger lurks in the depths of the woods.

Justin Hawthorne’s bloodline has protected Four Paths for generations from the Gray—a lifeless dimension that imprisons a brutal monster. After Justin fails to inherit his family’s powers, his mother is determined to keep this humiliation a secret. But Justin can’t let go of the future he was promised and the town he swore to protect.

Ever since Harper Carlisle lost her hand to an accident that left her stranded in the Gray for days, she has vowed revenge on the person who abandoned her: Justin Hawthorne. There are ripples of dissent in Four Paths, and Harper seizes an opportunity to take down the Hawthornes and change her destiny-to what extent, even she doesn’t yet know.

The Gray is growing stronger every day, and its victims are piling up. When Violet accidentally unleashes the monster, all three must band together with the other Founders to unearth the dark truths behind their families’ abilities—before the Gray devours them all.

I’ve got to admit that this is definitely a case where a book’s cover is what got me interested in the book! So that’s big shout out to Natasha MacKenzi for blowing this one out of the park. I’d not heard of this book, but when the cover popped up online, I just had to go and look it up, and then the synopsis intrigued me and I had it added to my TBR. And when it arrived, I was not disappointed! The cover is gorgeous, and the pink sprayed edges are perfect and so bright. I was also lucky enough to get these beautiful cards with my copy, and being able to see the illustrations that are so vital to the story was a really lovely extra.

Anyway, once I’d gotten past the gorgeous cover and into the book, I was hooked from the start. We get multiple POV characters in Gray, and I think it really worked for the story. Each character has such a different perspective on what’s going on, and it meant that as the reader, I felt like I understood what was going on even when some of the characters didn’t have all the information. Herman has done a great job of pacing the reveals throughout the story in way that feels organic and satisfying, and I always felt like I was right where the narrative wanted me to be. There’s a good creep factor to the secret side of Four Paths as well, but not so much that I (a notorious wuss) couldn’t read it.

Unsurprisingly, Violet and Harper were my favourite of the Founder kids. I loved how honest and outspoken Violet was, and how she often managed to surprise other characters with her simple acceptance, and her willingness to acknowledge when her words and actions caused hurt to others. And Harper, all full of anger and distrust, called to me from the minute she was introduced. I loved her storyline, how she worked to find a way to accept herself despite what she thought were her failings.

Gray is also, from my perspective, is also a great example of how key good adult characters can be to a YA story. Oftentimes, the adult characters in YA are missing, or else so sketchily drawn that they feel like a combination of tropes being employed to move a main character forward. Herman, however, has provided a group of complex adult characters whose choices show the teen characters how being an adult doesn’t necessarily mean that you make better decisions or are any more sorted than younger people.

I also want to point out how gorgeously, casually queer this book is. Although sexuality is not a focus of the story, I just love that a ton of characters, including some of the main ones, are queer, and it’s not even a thing. I think there’s huge power in this kind of representation to normalise marginalised identities, particularly as you’re likely to pick up readers who aren’t necessarily seeking out queer books. I particularly love it in YA fiction, because this kind of casual, low-level representation would never have been a thing when I was a teen myself. It echoes the diversity of the real world in a way that makes me feel all warm and fuzzy inside.

I absolutely loved this book. It had so many things that I love – weird small towns, complicated relationships, so much queerness. It’s a book that constantly surprised me, and I think anyone who loves YA fantasy will want to get a copy of this.

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The Familiars by Stacey Halls

the familiars

I received a free ARC of The Familiars by Stacey Halls from the publisher in return for review consideration; receipt of a free copy has not affected my opinion or the contents of this review. The Familiars is a paranormal historical novel, due to be published by Bonnier Zaffre in the UK on 4th February 2019.

Below is the Goodreads synopsis of the book:

Fleetwood Shuttleworth is 17 years old, married, and pregnant for the fourth time. But as the mistress at Gawthorpe Hall, she still has no living child, and her husband Richard is anxious for an heir. When Fleetwood finds a letter she isn¹t supposed to read from the doctor who delivered her third stillbirth, she is dealt the crushing blow that she will not survive another pregnancy.

When she crosses paths by chance with Alice Gray, a young midwife, Alice promises to help her give birth to a healthy baby, and to prove the physician wrong. 

When Alice is drawn into the witchcraft accusations that are sweeping the North-West, Fleetwood risks everything by trying to help her. But is there more to Alice than meets the eye? 

As the two women’s lives become inextricably bound together, the legendary trial at Lancaster approaches, and Fleetwood’s stomach continues to grow. Time is running out, and both their lives are at stake. 

Only they know the truth. Only they can save each other.

First off, the cover of this book is absolutely gorgeous. I was lucky enough to receive an ARC, and it’s just an overall lovely book. So if you’re attracted by shiny covers, this one will definitely pull you in!

Although I’m not a big reader of historical fiction in general, I do love witches, and I also enjoy historical fiction which deals with some of the ways women were oppressed in that particular time. In the early 1600s, this was through accusations of witchcraft, even when the accused women were likely just using knowledge of basic medicine they had learnt, which made use of herbs and the experience of generations before them. The Familiars has this at its heart, and I really enjoyed that element of the story.

I also really enjoyed-slash-was incredibly frustrated by the historical elements surrounding the trials. There’s religion at play, there’s monarchy and its power over a divided country, there’s the patriarchy, there’s so much. The historical setting is richly described and brings such depth to the story. I think this was my favourite element of the book. Halls’s scene setting had me engaged in the story right from the start, and also taught me about a period of English history about which I had very little knowledge.

Fleetwood, the story’s heroine, is desperate to carry a child to term, and though she brings family money to her marriage, she has little power compared to her husband.  The way that he has benefited from her is clear throughout the story, and will leave you frustrated and angry on her behalf. She’s also incredibly young, and I found myself being reminded that she was only seventeen, and feeling quite horrified by what she was going through. But it does make for satisfying reading as Fleetwood starts to realise that she has more power than she imagined, and tries to work out how she can best wield it.

Whilst Fleetwood is a solid main character, I found myself less engaged with Alice, who I think was really the more interesting character. As the story is told from Fleetwood’s perspective, we only experience Alice through her eyes, and with there being so much mystery surrounding her, I did find myself somewhat unsatisfied by what felt like a lack of depth in her character development. She felt more like a plot device designed to move Fleetwood’s story along than a fully realised character in her own right. I found the same true of the other secondary characters, and for me, this meant the book wasn’t as enjoyable as it otherwise might have been.

The Familiars is a well-written, engaging historical novel about a fascinating period in English history, with a side of witchcraft. I loved the setting and the main character, though I did feel that the secondary characters lacked depth. However, overall, I really enjoyed this book and would definitely recommend it to anyone enjoys historical fiction focused on women of the time, plus witchcraft!

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Pulp by Robin Talley

Pulp.jpg

I received a free e-ARC of Pulp by Robin Talley via NetGalley in return for review consideration; receipt of a free copy has not affected my opinion or the contents of this review. Pulp is a queer YA historical novel, published by HQ Young Adult, an imprint of HQ, in December 2018.

Below is the Goodreads synopsis of the book:

In 1955, eighteen-year-old Janet Jones keeps the love she shares with her best friend Marie a secret. It’s not easy being gay in Washington, DC, in the age of McCarthyism, but when she discovers a series of books about women falling in love with other women, it awakens something in Janet. As she juggles a romance she must keep hidden and a newfound ambition to write and publish her own story, she risks exposing herself—and Marie—to a danger all too real.

Sixty-two years later, Abby Zimet can’t stop thinking about her senior project and its subject—classic 1950s lesbian pulp fiction. Between the pages of her favorite book, the stresses of Abby’s own life are lost to the fictional hopes, desires and tragedies of the characters she’s reading about. She feels especially connected to one author, a woman who wrote under the pseudonym “Marian Love,” and becomes determined to track her down and discover her true identity.

In this novel told in dual narratives, New York Times bestselling author Robin Talley weaves together the lives of two young women connected across generations through the power of words. A stunning story of bravery, love, how far we’ve come and how much farther we have to go.

I’d seen a lot of hype about Pulp around the bookish internet, so I was excited to pick it up. I’ve read some of Talley’s other books, with some mixed feelings about them. And sadly, Pulp was another that left me with mixed feelings, though I think a fair amount of that is probably my personal taste.

Pulp follows two parallel story lines. In modern day DC, Abby is struggling with her senior year of high school. She’s just broken up with her first girlfriend, and has some serious work to do in school. In the 50s, Janet has had her eyes opened to the fact that she might be a lesbian, something which, were she to be open about it, could place her in serious danger. The stories overlap when Abby delves into the world of lesbian pulp fiction, reads the book that Janet wrote, and becomes determined to discover what happened to its author.

As a historical novel, Pulp certainly brought home to me the dreadful realities of being gay in 1950s US. Janet reads as quite naïve to today’s audiences, but that only emphasises how very little information she had, and how few ways she had to get more information. She’s reliant on a whisper network, and on brave individuals willing to put themselves out there to try and educate her. It’s a chilling way to live, and given news coming from other places, such as Chechnya, it certainly made me grateful to be living in present day London, and more appreciative of the daily difficulties of people who came before.

The modern storyline, with Abby, is well-wrought, giving what felt to me like a realistic vision of a hugely stressed out senior who feels like everyone around her has a clear idea of what they’re doing with their lives, while she’s just treading water, trying to figure out where to go next. I could certainly relate to her in that way, and I think there will be plenty of other readers who feel similarly. Compared to Janet, Abby and her friends are incredibly worldly and knowledgeable, and learning about Janet’s story teaches Abby about how drastically things have changed in sixty years, and gives her some perspective on her own life.

The book also has commentary on what it means to be a writer, from both Abby and Janet’s perspectives. Without saying anything that would spoil the story, I definitely appreciated the lessons that Abby comes to learn about writing from investigating Janet’s life, and how books can mean hugely different things to their authors and their readers.

The reason I personally didn’t enjoy the book that much was because I struggled to connect to either of the main characters. I enjoyed reading about them, but didn’t feel particularly engaged with their stories. As I mentioned above, I think that’s probably a matter of personal taste. I’ve felt a similar way about others of Talley’s books that I’ve read, so I think it’s just that her writing doesn’t suit me personally.

Overall, Pulp is a well-written book with a great, diverse cast, which sheds light on a period of recent history which, from my knowledge, has been little touched upon by current YA novels. It offers an opportunity for modern readers to learn about the day to day experience of life as a queer person in the 1950s, as well as showing a modern teen who’s dealing with personal problems of her own. Though it wasn’t a book I enjoyed much myself, I think it would appeal to those who enjoy historical fiction, parallel storylines, and anyone who’s enjoyed previous of Talley’s books.

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The Sisters of the Winter Wood by Rena Rossner

The Sisters of the Winter Wood

I received a free e-ARC of The Sisters of the Winter Wood by Rena Rossner from NetGalley in return for review consideration; receipt of a free copy has not affected my opinion or the contents of this review. The Sisters of the Winter Wood is a fantasy novel which was published by Orbit Books, an imprint of Little, Brown, in the UK in September 2018.

Below is the Goodreads synopsis of the book:

Raised in a small village surrounded by vast forests, Liba and Laya have lived a peaceful sheltered life – even if they’ve heard of troubling times for Jews elsewhere. When their parents travel to visit their dying grandfather, the sisters are left behind in their home in the woods.

But before they leave, Liba discovers the secret that their Tati can transform into a bear, and their Mami into a swan. Perhaps, Liba realizes, the old fairy tales are true. She must guard this secret carefully, even from her beloved sister.

Soon a troupe of mysterious men appear in town and Laya falls under their spell-despite their mother’s warning to be wary of strangers. And these are not the only dangers lurking in the woods…

The sisters will need each other if they are to become the women they need to be – and save their people from the dark forces that draw closer.

Sisters of the Winter Wood is another book that I’d seen all over the place, and I was intrigued by the story. Following two sisters as they come to learn things about their family they’d never even dreamed of, this is a hugely vivid story which pulls the reader into their world.

The main characters are the two sisters, Liba and Laya. They’re very different people, and this is emphasised throughout the book. They have different personalities, they want different things, and they approach the world around them differently. I enjoyed how we were able to see the world through two very different perspectives, and how much more depth that brought to the story. I also liked seeing the secondary characters from these differing viewpoints. Particularly given the nature of some of those characters, it really emphasises how personal perspective influences how we see the world.

As the story develops, we learn more about their town through the experiences of Liba and Laya. They’ve always felt comfortable there, though they’ve known that being Jewish sets them apart from others, and it’s heartbreaking to see that change over the course of the story. Rossner, I felt, did a brilliant job in showing the creeping changes that came over the town and its inhabitants, and how it took relatively little to bring old tensions to the surface. I think this was the aspect of the story I appreciated most, though it’s also one of the saddest elements of the book.

There are a number of themes in this book, all of which I think are woven together skilfully by Rossner. It’s a coming of age story for the sisters, with life-changing consequences for both. It’s a story about otherness, and the inherent lack of security that comes from being other in a place that, whatever the surface might show, might not always be safe for you. It’s also about family and what that means – is it blood, is it upbringing, is it the people you’ve chosen to be around you? As an overall story, I think Sisters of the Winter Wood is both honest and hopeful, and a very apt fantasy tale for our current era.

All that being said, I didn’t love this book as much as I wanted to, or as much as I feel like I should have. However, I would put that down to personal taste rather than anything else here. And the reason I say this is because there wasn’t anything particular that I actually disliked about the book, and in fact there’s a lot about the book that I think is really good; it just wasn’t for me.

Sisters of the Winter Wood is certainly an intriguing addition to current fantasy offerings, and I think it will appeal to anyone looking for a fantasy story that’s very relevant to the current world we live in. It’s got sisterhood, it’s got family secrets, and a whole lot of magic. Although it wasn’t the book for me, I think it has a lot to recommend it, particularly if you like your fantasy a little darker, but without the violence that often comes with that.

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The Lady’s Guide to Petticoats and Piracy by Mackenzi Lee

The Lady's Guide

I received a free ARC of The Lady’s Guide to Petticoats and Piracy by Mackenzie Lee from the publisher in return for review consideration; receipt of a free copy has not affected my opinion or the contents of this review. The Lady’s Guide is a queer YA historical novel, published by HarperCollins in the UK in November 2018.

Below is the Goodreads synopsis of the book:

A year after an accidentally whirlwind grand tour with her brother Monty, Felicity Montague has returned to England with two goals in mind—avoid the marriage proposal of a lovestruck suitor from Edinburgh and enroll in medical school. However, her intellect and passion will never be enough in the eyes of the administrators, who see men as the sole guardians of science.

But then a window of opportunity opens—a doctor she idolizes is marrying an old friend of hers in Germany. Felicity believes if she could meet this man he could change her future, but she has no money of her own to make the trip. Luckily, a mysterious young woman is willing to pay Felicity’s way, so long as she’s allowed to travel with Felicity disguised as her maid.

In spite of her suspicions, Felicity agrees, but once the girl’s true motives are revealed, Felicity becomes part of a perilous quest that leads them from the German countryside to the promenades of Zurich to secrets lurking beneath the Atlantic.

This is the sequel to Lee’s The Gentleman’s Guide to Vice and Virtue, which I absolutely flew through in anticipation of reading this one, and absolutely loved. This book focuses on Monty’s sister, Felicity, who wants to be a doctor, and isn’t going to let the social standards of Regency prevent her from reaching her goal. There’s some adventuring, a little bit of magic, and a whole lot of very satisfying comeuppances for the people who think they can control Felicity.

Overall, this was a really enjoyable book. Felicity was a great side character in the first book, and it was great to see her more fully fleshed out here. It’s super satisfying to watch her work so hard to achieve her goals, and to see her character grow and develop as the story goes on. As well as seeing more from Monty and Percy, we get some great new secondary characters who accompany and support Felicity, plus some new bad guys. The action motors along all the way through, and I was never in danger of being bored or losing interest.

I’m not a huge reader of historical fiction, so I can’t really comment on the accuracy of Lee’s portrayal of the times, but I certainly enjoyed her interpretation of it. I think that, on the whole, Lee strikes a good balance between representing the period and creating a story that’s enjoyable for modern readers. This is partly accomplished by challenging, through the characters, many of the contemporary sensibilities of the time involving race, class, gender, colonialism and so forth, and partly by bringing a gorgeous level of detail to her writing, so that we can easily imagine ourselves in this world.

In the character of Felicity, we have some great aro-ace representation, and I personally appreciated seeing her question herself when confronted with social pressures, but ultimately realise that she does know herself and what she wants, and that she can stick up for herself. This is part of Lee’s challenging of contemporary views and social expectations, and it made this ace-spec reader very happy to read. However, this is tempered somewhat by the continuing issues that she has with Monty and Percy’s relationship, which is something that was in the first book as well. On the one hand, it’s definitely understandable that a woman of her time might hold views that we now see as as bigoted and homophobic. Particularly where Felicity herself is coming into her own identity and wants to be allowed to live as she wants, it’s frustrating to not see her grant the same acceptance to her brother.

If you’ve not read The Gentleman’s Guide yet, I would definitely recommend picking that up, and then heading straight into this book. It’s such an enjoyable read, and even if you’re not typically into historical fiction, it’s worth giving this one a shot if you’re in the mood for women who know their worth, and will go through as many challenges as necessary to reach their goals.

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